by Lauren Child ‧ RELEASE DATE: Aug. 1, 1999
Arch and precocious, but insidiously charming, Clarice Bean takes an unvarnished look at her family. Conventions of space, typeface, endpapers, and title pages have been dispensed with; Clarice’s relatives and madcap but affable household are created from a variety of fonts, collage effects, and stray bits of dialogue. Clarice shares a room with her little brother Minal (she dumps spaghetti on his head and muses that she should have put tapioca down his shorts) and comments on older sister Marcie’s boy-obsession and older brother Kurt’s penchant for being alone in a room “that smells of socks.” While her mother escapes with scented candles and language tapes in the tub, and her father has a big fancy office, Clarice amuses herself by cheating at cards with her grandfather, whose eyesight isn’t good. There is a sneaky sort of affection present, especially in the endpapers where the family gathers in assorted cozy positions with mordant commentary by Clarice; she could be Eloise, reincarnated for the millennium. Child may be aiming more at adults than at children, but today’s preternaturally ironic readers may find Clarice divine. (Picture book. 6-10)
Pub Date: Aug. 1, 1999
ISBN: 0-7636-0961-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
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More by Lauren Child
BOOK REVIEW
by Lauren Child ; illustrated by Lauren Child
adapted by Charlotte Craft ‧ RELEASE DATE: April 1, 1999
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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adapted by Lise Lunge-Larsen & Margi Preus ‧ RELEASE DATE: March 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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