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THE GREAT GROWN-UP GAME OF MAKE-BELIEVE

An inventive and heartfelt short story collection.

An imaginative collection about the joy and sorrow of growing up.

Woods’ tender and resonant debut features 28 pieces of short and micro fiction. Imbued with magic and the absurd, these stories explore the ways that childhood wonder informs our lives. In the very funny and satirical “Randomized Trial,” a group of overachieving children perform a scientific experiment to figure out why their classmate—a quirky dreamer unencumbered by ambition—is so good at headstands. Woods writes beautifully about motherhood, nostalgia, and the pleasure and pain that can be found in dreaming of alternate lives for ourselves. In “Proportions,” a mother shrinks and grows in relation to how much of herself she gives to her oblivious family: “Everything had a cost, a measurement, a gain somewhere that was a loss somewhere else.” The narrator in “The Shape-shifter” feels caught between the shape she wants to be and what her husband wants for her. As she changes herself over and over again, she questions who she is beyond his gaze: “She began to feel the tiniest sliver of doubt and wonder, deep down, whether she had a true self.” Woods also plays with form to great effect in “It Wasn’t a Fit,” which explores the dissolution of a marriage through dictionary definitions, and “The Long Brew,” which follows a mother as she tries to care for her daughter and finish a cup of coffee. Other standouts include “Evening by the Lake,” a sorrowful story about a mother and daughter who briefly return to their former secret life (“But here Mom and I are together, just the two of us, stuck in the in-between”)—and “Timetable for Learning to Eat Alone,” a melancholy yet hopeful ode to moving through heartbreak. Though some stories feel more flimsy and underdeveloped than others, the collection offers a unique vision into the ways we learn to live with our past, present, and future selves.

An inventive and heartfelt short story collection.

Pub Date: Oct. 21, 2025

ISBN: 9781637681091

Page Count: 184

Publisher: Autumn House Press

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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