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FLÂNEUSE

WOMEN WALK THE CITY IN PARIS, NEW YORK, TOKYO, VENICE, AND LONDON

Enlightening walks through cities, cultural history, and a writer’s heart and soul.

An American freelance essayist and translator living in Paris debuts with an appealing blend of memoir, scholarship, and cultural criticism.

White Review contributing editor Elkin presents a feminine alteration of the French word flâneur (“one who wanders aimlessly”) and uses both her own experiences and those of some noted writers and other artists to illustrate her principal thesis: that women have long needed to be as free to roam about, geographically and artistically, as men have been. “The portraits I paint here attest that the flâneuse is not merely a female flâneur,” writes the author, “but a figure to be reckoned with, and inspired by, all on her own….She is a determined, resourceful individual keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk.” Elkin’s own story runs through the text like a luminous thread. She tells us the woman-in-the-street stories of Jean Rhys, Virginia Woolf, George Sand, Sophie Calle, Agnès Varda, and Martha Gellhorn, but all sorts of other cultural figures appear, including Barthes, Rilke, Baudelaire, Hemingway, Derrida, Dickens, and numerous others. Elkin is frank about her own life, discussing a long, failed relationship—following him, she moved to Tokyo, where her initial unhappiness in the city transformed to deep affection—her ambivalence about leaving one city she loved, New York, which is near family and friends, for another she came to love even more: Paris. (She has become a French citizen.) Elkin also lived for a time in London and Venice, but though she loved both places, it is Paris now owning her heart. The pattern of her principal chapters is fairly steady: her own story mixed with sometimes overly detailed accounts of a notable woman associated with the city. These minibiographies and exegeses of the artists’ work are occasionally heavier than casual readers may be willing to bear, but for the patient, there are the bright rewards of insight and new information.

Enlightening walks through cities, cultural history, and a writer’s heart and soul.

Pub Date: Feb. 21, 2017

ISBN: 978-0-374-15604-6

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 6, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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