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A gritty read for a woke generation.

A close look at sexual coercion, cyberbullying, and other perils of surviving high school jock culture.

The story hinges around the close-knit trio of Nikki, Ani, and Lydia, who welcome the attractive, worldly new girl Suze into their fold. DeShawn and Marcus, two best friends and outsiders, catch wind of a rumor when a photo circulates revealing Suze, looking drugged, being carried from a party by her friends. DeShawn, empath and gifted tech whiz, intuits that something is wrong while snarky, budding journalist Marcus senses a story. Tarkin, king of the Jonesville jocks, has nude pictures of Suze, and he blackmails her into dumping her friends and becoming his girlfriend. Suze sets out to settle the score, enlisting DeShawn for backup. Things go from bad to worse when DeShawn becomes a suspect in a serious crime. The quick assumption of DeShawn’s guilt exposes the injustices and life-threatening realities he faces as an African American young man while indifferent administrators do little to protect students from harm (Ani is Indian American while Nikki, Lydia, and other major characters are white). Readers glimpse the inner workings of racism in criminal justice procedures, gender-based double standards, sexual coercion, diminishing privacy, and cyberbullying. In exploring and exposing interlocked oppressions, readers will grapple with intriguing twists on a rape revenge story, although the relationship between homophobia and sexism is not meaningfully explored.

A gritty read for a woke generation. (Fiction. 15-19)

Pub Date: April 21, 2020

ISBN: 978-1-948-34026-7

Page Count: 200

Publisher: Dottir Press

Review Posted Online: Feb. 4, 2020

Kirkus Reviews Issue: March 1, 2020

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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  • New York Times Bestseller

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THE FAULT IN OUR STARS

Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...

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He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.

Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.

Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)

Pub Date: Jan. 10, 2012

ISBN: 978-0-525-47881-2

Page Count: 272

Publisher: Dutton

Review Posted Online: Jan. 9, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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