A penetrating look at the power in the stories we tell ourselves but just a glancing one at the juvenile-justice system.
A Boston-area youth in juvenile detention finds redemption in stories—his and his fellow inmates’.
Car thief Isaac West just has to get through 30 days in juvie, and then he’ll be out and able to protect his beloved little sister from their appalling single mother, an alcoholic prostitute. But he doesn’t bargain on the group-therapy program that has him writing down his “crime story” and then acting it out in a process that combines story critique and reliving his most painful memories. When he’s not in therapy he hangs with the geeks in computer class, mostly so he can email his sister, which is how he almost unwittingly becomes “poems and shit” editor of the inmate newsletter, The Free. McLaughlin creates a correctional facility that’s realistically organized along gang and racial lines, with the exception of the geeks, a multiethnic crew of lovable cons. Actually, all the inmates are lovable in the end, believably victims of circumstance despite their horrifying crimes. These circumstances, despite the constant acknowledgment of race, are largely race-free however, mostly contingent on terrible parenting. Biracial, brown-skinned Isaac himself possesses a physical ambiguity he uses to avoid attention, allowing others to see him as black or Hispanic to avoid conflict. But the only acknowledgment the book makes of institutional racism is Isaac’s dismissive acceptance of an “ ‘essay’…about how racist the criminal justice system is.”
A penetrating look at the power in the stories we tell ourselves but just a glancing one at the juvenile-justice system. (afterword) (Fiction. 14-18)Pub Date: Feb. 28, 2017
ISBN: 978-1-61695-731-5
Page Count: 288
Publisher: Soho
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A treat for mystery readers who enjoy being kept in suspense.
Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.
Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.
A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-1-9848-9636-0
Page Count: 400
Publisher: Delacorte
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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