by Lauren Oliver ‧ RELEASE DATE: March 1, 2010
When your novel’s heroine opens the story as a popular, mean highschooler, the story will be one of two things: a paean to Dolce & Gabbana or a tale of redemption. Sam’s story is of the latter kind: a Groundhog Day–style repeated day she must relive until she gets it right. With each repeat, she changes something in her relationships—to her family, to the cruelty of her queen-bee friends, to her lecherous boyfriend, to the hot math teacher and to the countless nerds, dorks and freaks she’s always abused or ignored. If she can just get it right, Sam thinks, she’ll be freed from her loop and can move on with her life. Within this predictable framework Oliver builds a quietly lyrical story of selfhood and friendship, avoiding the obvious paths out of the time loop. Bill Murray’s Groundhog Day character used his repeated day to learn French; Sam, more valuably, learns that life’s composed of “little gaps and jumps and stutters that can never be reproduced.” Unexpectedly rich. (Fantasy. 12-15)
Pub Date: March 1, 2010
ISBN: 978-0-06-172680-4
Page Count: 480
Publisher: HarperTeen
Review Posted Online: Sept. 23, 2010
Kirkus Reviews Issue: Feb. 15, 2010
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by Lauren Oliver ; illustrated by Ethan M. Aldridge
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by Laura Resau ‧ RELEASE DATE: Sept. 12, 2006
When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)
Pub Date: Sept. 12, 2006
ISBN: 0-385-73343-7
Page Count: 272
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
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by Patricia Gualinga & Laura Resau ; illustrated by Vanessa Jaramillo
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by Neal Shusterman ‧ RELEASE DATE: Oct. 1, 2006
Death isn’t an easy subject to write about, but Shusterman handles it deftly, as he explores what happens to two children who are “lost” on their way “towards the light.” Nick and Allie have never met, but both are involved in a fatal car accident. They find they are neither living nor spirit; they now exist in Everlost. Learning to cope with their new state of being, they arrive in New York City, where a band of lost children have taken up residence in the Twin Towers, which still stand tall in Everlost. Led by Mary, the Queen of Snot, threatened by the Great McGill and his pirate band, these children have come to accept that this is where they belong and will always be. But Nick and Allie know there must be something—somewhere—else, and they are determined to find out what and where that is. A quirky sense of humor pervades, which helps to lighten what would otherwise be a disturbing concept. But the overall message (that there is existence after life and purpose to that existence and a destination when one is finally ready for it) is one of comfort. For anyone who has lost a friend or loved one at an early age, this is a good read. (Fiction. 12-15)
Pub Date: Oct. 1, 2006
ISBN: 0-689-87237-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
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by Neal Shusterman ; illustrated by Andrés Vera Martínez
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