Willig's sparkling series continues to elevate the Regency romance genre.
Espionage and romance continue to be great fun in another solid installment of the Pink Carnation series.
In her eighth series adventure, Willig (The Mischief of the Mistletoe, 2010, etc) takes a cue from Jane Eyre, presenting an orphaned governess as her latest heroine and, of course, spy. Miss Laura Grey has learned to hide her voluptuous beauty under a stern schoolmistress's guise. But when an opportunity to break out of her rut appears, she grabs it, landing an assignment that uses her real history as a governess to strike a blow for England in the ongoing Napoleonic wars. Assuming the French identity of her father and placed in charge of the children of the widowed revolutionary André Jaouen, Laura—now Laure Griscogne—discovers the Paris of her childhood has become a grim and fearful place. When an old family acquaintance nearly blows her cover, however, she begins to see a different side of her employer—and he of her. Although he apparently works at the Prefecture of Paris hunting enemies of the state, Jaouen has grown dismayed by the Reign of Terror, and the two may actually be on the same side. On the run, they learn to trust each other in order to not only survive but to protect his innocent children. The action builds up to an utterly predictable but enjoyable climax. Thanks to Willig's customary wit and sure hand with historical details, 19th-century France comes alive yet again in this volume. Laura is a solid heroine, headstrong and mature enough to be believable. And if the charged romance between the two is a little clichéd, readers of the series will hardly care. Only the series' contemporary framing device, featuring a Harvard researcher and her boyfriend, seems a little strained, but it takes up little space in this otherwise fast-paced and fun frolic.
Willig's sparkling series continues to elevate the Regency romance genre.Pub Date: Jan. 20, 2011
ISBN: 978-0-525-95199-5
Page Count: 416
Publisher: Dutton
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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