For fans enmeshed in this intricate world, a welcome installment which those new to the series might find a bit too in media...
The 10th in Willig’s witty series about Napoleanic-era spies focuses on a far-from-drowsy chaperone.
Gwen, lady companion to Jane, aka the notorious English spy Pink Carnation, is enjoying her sojourn in Paris. There, she is not a pitied, unmarriageable spinster but a proficient and daring spy in her own right: She sallies forth at night disguised as a gentleman to learn, among other state secrets, what Napoleon’s foreign minister, Talleyrand, is up to with a certain opera diva, Aurelia Fiorila. Too abruptly, Jane and Gwen are recalled to England: Jane’s sister Agnes has disappeared from her boarding school. At the school, Gwen meets Col. Reid, who’s come from India to reunite with the daughters he sent to England to be educated years before. Now, his daughter Lizzy has gone missing along with Agnes. Reid assumes the girls have taken refuge with his older daughter Kat in Bristol. After journeying there and learning, to Reid’s dismay, that Kat is now taking in laundry and living in a hovel, Reid and Gwen are set upon by brigands. Although Gwen handily fights them off by deploying her sword parasol, Reid is wounded. Mutual attraction smolders as Gwen nurses Reid back to health. Back with Jane's family in Bath, Gwen is alarmed that Jane seems so susceptible to the blandishments of the Chevalier de la Tour d’Argent, who is either a double agent or a charlatan or both. The plot thickens when the colonel and Chevalier escort the two spies to an opera performance starring Fiorila. Gwen chronicles and exaggerates the exploits of her alter ego, Purple Plumeria, in a swashbuckling novel in progress, the Convent of Orsino. A present-day frame story features Colin, a descendent of the Pink Carnation, and his Harvard historian girlfriend, Eloise. The writing is acerbic, arch and funny, but the complex back story demands familiarity with the earlier books.
For fans enmeshed in this intricate world, a welcome installment which those new to the series might find a bit too in media res.Pub Date: Aug. 6, 2013
ISBN: 978-0-451-41472-4
Page Count: 480
Publisher: New American Library
Review Posted Online: June 22, 2013
Kirkus Reviews Issue: July 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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