Anholt continues his series of picture books about children and great artists with this homey episode about Paul Cézanne and his son, also named Paul. The highly eccentric painter has lived apart from young Paul and his mother for years, and as the tale opens, he has just invited his son to visit him in the Provençal countryside, where the boy finally finds him on a mountainside, painting. As the two get to know each other, Cézanne explains his theory of painting: “I make everything into simple shapes….You are as round as a sweet little apple!” A chance meeting with a Parisian art dealer leads to recognition and success and ultimately to young Paul’s future career as his father’s agent. It’s a simply told tale that emphasizes the father-son relationship; lessons about Cézanne’s importance in the canon are slipped in sideways. Tiny reproductions of Cézanne’s works are integrated into the author’s customarily loose, bright watercolors to illustrate those lessons. An author’s note rounds out the background of the story and indicates that young Paul’s grandson, Philippe Cézanne, assisted in its making. (Picture book. 5-8)
Pub Date: Nov. 1, 2009
ISBN: 978-0-7641-6282-4
Page Count: 32
Publisher: Barron's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.
Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.
Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-0623-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: April 1, 2020
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