by Laurence Yep ‧ RELEASE DATE: May 1, 1995
As 1995 will mark 50 years since the bomb was dropped, new materials are needed to join Eleanor Coerr's Sadako and the Paper...
Though deeply felt, a choppy, confusing account of Hiroshima's destruction that reads like a set of preliminary notes.
Mixing tenses and cutting back and forth between the Enola Gay's flight and the activities of two Hiroshima teenagers, Riko and Sachi, Yep sets the scene in very general terms, describes the bomb's immediate and lingering devastation, then closes with quick looks at the Cold War, Sadako Sasaki's story, a 1985 peace march, and related topics. Yep has done his homework, appending four pages of adult sources, but he barrages readers with raw numbers; the significance of repeated references to an unnamed Japanese colonel exercising his horse on the day the bomb remains unclear; Sachi (who doesn't leave her home for three years after the bomb and eventually becomes a "Hiroshima maiden," one of a group of disfigured survivors sent to the US for restorative surgery) is a composite character with only a rudimentary background or personality.
As 1995 will mark 50 years since the bomb was dropped, new materials are needed to join Eleanor Coerr's Sadako and the Paper Cranes (1977) and Toshi Maruki's horrifying Hiroshima No Pika (1980); this offering is unlikely to lead the pack. (Fiction. 10- 13)Pub Date: May 1, 1995
ISBN: 0-590-20832-2
Page Count: 56
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1995
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Michael Morpurgo & illustrated by Michael Foreman ‧ RELEASE DATE: Nov. 1, 2006
“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)
Pub Date: Nov. 1, 2006
ISBN: 0-7636-3206-6
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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