There are monsters aplenty in this novel about an all-round leader type at Loyola High School in San Francisco and his relationship with Chris, an outwardly bold and nasty, inwardly insecure girl who went through parochial school with him and then to public high school. Near the start Charlie is shaken by a poison chain letter, initiated by Chris, who accuses him of smugness and insensitive meddling. When he goes over to protest, she invites him to the movie Repulsion. . . which fascinates Chris but repulses Charlie. How could anyone be so sick? Well, Chris' mother—who has tried suicide, verbally batters her daughter, and (in Chris' view) brought on her husband's fatal heart attack—comes close. You will share Charlie's horror at her trancelike but manipulative performance at a restaurant, sliding a nail file back and forth, back and forth, across the veins at her wrist. Then there is Duane, the twisted little boy hung up on Godzilla, whom Chris, becoming a "meddler" herself, tries to help—but accidentally disillusions by revealing that the monster is played by a human actor. Faced with all this, Charlie is shaken enough to recognize the "monster in the hearts of people everywhere." Kind hearts are harder to come by, but Charlie's own cold and abstract caring has been humanized as a result of his feelings for Chris; and, in return, though she seems unreachable at times, he will help her change her step from a "Godzilla stomp" to something kinder. Though this monster motif is pointed up so emphatically as to seem a calculated scheme, the scheme has its fascination and so do the floodlit characters. One never doubts their urgency, or the blood-freezing tension of their interaction.
Pub Date: March 17, 1982
ISBN: 0060267321
Page Count: 177
Publisher: Harper & Row
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: March 1, 1982
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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