Yep sensitively explores the complexities of immigrant culture from several points of view, creates an appealing, diverse...
In a poignant sequel to Ribbons (1996), two strangers comfort a lonely old man with a shared, ongoing fantasy.
Drawn to a disturbance outside a San Francisco Chinatown restaurant, Robin and her grandmother find themselves play-acting, soothing a drunken cook named Wolf by pretending to be his lost wife and daughter. Wolf isn't fooled, but reminiscing with his "wife" and watching his brown-haired, green-eyed "daughter" dance makes him feel better, so he willingly goes along. On what becomes weekly visits, Robin receives as much comfort as she gives, for the domestic war between her Chinese mother and non-Chinese father (and the tension between traditional Chinese and typically American ideas of family obligation) has made home a hard place to be. In his characters' banter and behavior, Yep makes clear the difference between ethnic stereotypes and what is simply common—and when Wolf's real daughter, an illegal immigrant living in San Diego, puts in a surprise appearance, her loud, nasty rudeness casts an ironic light on Robin's efforts to be more "Chinese" for Wolf, i.e., silent, obliging, and submissive.
Yep sensitively explores the complexities of immigrant culture from several points of view, creates an appealing, diverse cast, and gives his plot both a memorable premise (drawn, as he explains in an afterword, from actual incidents) and a strong, bittersweet ending. (Fiction. 10-13)Pub Date: Feb. 23, 1998
ISBN: 0-399-22907-8
Page Count: 186
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)
Pub Date: Nov. 1, 2006
ISBN: 0-7636-3206-6
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
