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THE TOM SAWYER FIRES

Who's the arsonist on the loose in Civil War-era San Francisco? That's the mystery this time for the heroes of The Mark Twain Murders—journalist Mark Twain (the very same) and the 15-year-old urchin/narrator who calls himself "the Duke of Baywater." The Duke, hungry and prowling around warehouses for valuable trash, witnesses an explosion at a chemical factory; the only clue is a nearby van bearing the name of a photographer. So when the fire attracts newsman Mark Twain to the scene, the co-sleuths again team up, with assistance from mustachioed fireman Tom Sawyer. They're just in time to see another fire break out during the parade welcoming a star-actress ("the Pritchard") to the local theater. And, just by coincidence, the theater's tart/sweet old costume-lady, Letty Cleary, has a connection to the mystery-photographer—who seems to be planning bigger, more dangerous fires, aimed at San Francisco's pro-Union establishment. Could it possibly be, then, that the arch-villain is once again Major St. John, the Confederate spy who plotted to rob the San Francisco Mint in The Mark Twain Murders? Yes, indeed, the presumed-dead Major—"so cold and calculating that he was beyond maean"—is still alive, posing as a photographer, and up to no good. He captures the heroes briefly, coolly kills dear Letty. (Her death is a little disturbing in such a light, comic-booky caper.) Escapes, gun-waving, and another capture ensue—as the heroes chase the Major through a society costume-ball. But, though locked up in a burning room, the good guys escape again. . . in time to defuse all the arsonist's infernal contraptions. As before, Yep gives the real Mark Twain little color or substance; the Tom Sawyer character is lackluster too, with no kinship to the fictional lad. (According to the foreword, there was a real S.F. fireman who claimed to have inspired Twain's creation.) But this less elaborate sequel is another bright, quick, folksy adventure—at its best in the period touches, especially the firefighting details.

Pub Date: Oct. 15, 1984

ISBN: N/A

Page Count: -

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 24, 2011

Kirkus Reviews Issue: Sept. 15, 1984

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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