by Laurie Halse Anderson ; illustrated by Leila Del Duca ‧ RELEASE DATE: June 2, 2020
Will engage readers until the final battle.
Not all heroines wear capes.
Protected on the hidden floating island of Themyscira, black-haired, light-skinned Princess Diana anticipates the end of her challenging changeling phase on her 16th birthday. She desperately wants to be a warrior like the other Amazonian women. A gift to the queen from the Five Mothers, Athena, Aphrodite, Demeter, Artemis, and Hestia, Diana is different—tall but clumsy; once hale but now weak. However, outside Themyscira’s magical barrier, Diana’s agility, intelligence, strength, and compassion shine. When Themyscira is breached by mortals, Diana disobeys her mother’s command, braving the violent sea to save drowning refugees. Mistaken for a refugee herself, Diana is hustled to a camp where she witnesses the devastating effects of war and cares for the mortals. After her extraordinary abilities are recognized by a United Nations employee and his husband, who get her a student visa, Diana moves to America, where she continues to fight for the weak and finds the place where she belongs. Astutely attuned to the current social climate, the story humanely and intelligently addresses complex issues, including immigration, child trafficking, hunger, and poverty. The text and illustrations, which show brown-skinned characters with a range of skin tones and hairstyles, naturally weave in characters of different backgrounds who are not reduced to their struggles.
Will engage readers until the final battle. (Naturalization Oath of Allegiance to the United States of America) (Graphic fantasy. 14-18)Pub Date: June 2, 2020
ISBN: 978-1-4012-8645-3
Page Count: 208
Publisher: DC
Review Posted Online: March 10, 2020
Kirkus Reviews Issue: April 1, 2020
Share your opinion of this book
More by Laurie Halse Anderson
BOOK REVIEW
BOOK REVIEW
edited by Laurie Halse Anderson
BOOK REVIEW
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
Share your opinion of this book
More About This Book
PERSPECTIVES
by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Share your opinion of this book
More by Adam Silvera
BOOK REVIEW
by Adam Silvera
BOOK REVIEW
by Adam Silvera
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.