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MAGNIFICENT VOYAGE

AN AMERICAN ADVENTURER ON CAPTAIN JAMES COOK’S FINAL EXPEDITION

The experiences of an impetuous and ambitious American-born Marine serve as a focus for a compelling account of Captain James Cook’s last expedition. Cook was a national hero to the English, exploring, mapping, and claiming vast reaches of the South Seas for the Crown; his final voyage of exploration was meant to discover the fabled Northwest Passage across the top of North America. John Ledyard, feckless, footloose, and impecunious, saw this as his golden opportunity to make his name and fortune. Lawlor (Old Crump: The True Story of a Trip West, p. 337, etc.) powerfully and evocatively puts readers on deck as the expedition languishes in the tropics, moving from island to island as rapacious and syphilitic sailors wear out their welcome among the local populations; finally pushes north to Alaska and Kamchatka; retreats, disastrously, to Hawaii; and at last limps home, minus a murdered Cook. The text is peppered with excerpts from Cook’s journals, as well as those of other sailors and retrospective accounts by Ledyard and others (all rendered with 19th-century grammar and spelling intact), and handsomely illustrated with archival materials. It would be an altogether spectacular piece of writing, were it not for the lack of textual documentation. Over and over, scenes are set and emotions described with no indication of any external authority beyond the author’s own imagination. “Suddenly Cook materialized beside Anderson. The powerful . . . captain thundered an order to the boatswain. Brown eyes blazing, Cook stared into the darkness.” Which witness saw those blazing eyes in the dark? There are even snippets of dialogue recorded without attribution: “ ‘Another island!’ ‘Ice ahead!’ ‘Keep her off a little!’ ‘Steady!’ ” These and other novelistic touches move the narrative along at a terrific clip, but undermine its authority at the same time. A brief essay on sources is followed by a fairly extensive bibliography, but this is no substitute for references not made within the body of the text. This stands as such a powerfully written offering that the lack of documentation is a crying shame. (appendices, glossary, source notes, bibliography, index) (Nonfiction. 10+)

Pub Date: Dec. 15, 2002

ISBN: 0-8234-1575-9

Page Count: 176

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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THE NEW QUEER CONSCIENCE

From the Pocket Change Collective series

Small but mighty necessary reading.

A miniature manifesto for radical queer acceptance that weaves together the personal and political.

Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.

Small but mighty necessary reading. (resources) (Nonfiction. 14-18)

Pub Date: June 2, 2020

ISBN: 978-0-593-09368-9

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THEY CALLED US ENEMY

A powerful reminder of a history that is all too timely today.

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A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.

Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.

A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)

Pub Date: July 16, 2019

ISBN: 978-1-60309-450-4

Page Count: 208

Publisher: Top Shelf Books

Review Posted Online: Aug. 4, 2019

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