A delightfully cacophonous novel, teeming with character.
Tidhar's latest offering transports readers to a liminal otherworld of spaghetti Western pastiche.
Somewhere, in some city, a nameless man attends his dying son's bedside, powerless to save the boy. Desperate to find a cure, he slips into the Escapement: a Western world of maniacal whimsy populated by bounty hunters, stone giants, mimes, and clowns. Here, the ghost of John Wayne Gacy becomes a bloodthirsty giant, and P.T. Barnum is recast as a clown-enslaving general. The man, known in the Escapement as the Stranger, is not alone; most of the people in this weird desert come there from the real world by way of dream, drink, or death. Studded with features like the Big Rock Candy Mountains and the Desert de Soleil, the land bears intimate connections to the dying boy in the hospital bed—a boy who loves the circus and its clowns—and it's here that the Stranger hopes to find his son a panacea: Ur-shanabi, the Plant of Heartbeat. In keeping with its roots in midcentury Westerns, Tidhar's novel casts the Escapement's clowns as Native American analogs, turning the Stranger into their White savior and avenger, a man who knows that "one should never be unkind to clowns." The author draws from an eclectic mix of sources to create a dazzling story that is more than the sum of its parts, and much of the fun of reading it comes from recognizing its homages. Knowledgeable readers will notice shades of Stephen King, Lewis Carroll, and Westworld here, and Tidhar himself cites Z. Ariel's fairy tale, "The Heart of the Golden Flower," the Epic of Gilgamesh, Salvador Dalí, tarot cards, and Sergio Leone as particular sources of inspiration.
A delightfully cacophonous novel, teeming with character.Pub Date: Sept. 21, 2021
ISBN: 978-1-61696-327-9
Page Count: 256
Publisher: Tachyon
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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