That inspiration aside, Warmly Inscribed doesn’t amount to much.
Miscellaneous adventures in the book trade, some exciting, most not.
The Goldstones, husband-and-wife antiquarian booksellers well known for writing books about books (Slightly Chipped, 1999, etc.), have apparently never experienced a book-related incident that has somehow not made it into the pages of one or another of their memoirs. This collection includes, for instance, anecdotes about a chipped tooth and the wonders of super glue, sparsely attended book signings, the long memory of Southerners when it comes to the Civil War, the perils of buying books online, the contents of Thomas Jefferson’s personal library and of the Library of Congress’s Rare Books Room, and the notations on highly collectible novelist Michael Ondaatje’s 1974 wall calendar. A few of these anecdotes are meaningful and of interest to bibliophiles and literary scholars alike; most, however, are not—especially when they’re seasoned with such pabulum as “when your book is rejected, so is a piece of your soul.” A sad failure of storytelling comes with their longish account of the strange career of one Ken Anderson, who transformed an autodidact’s love for the literary modernists into a briefly thriving career manufacturing and selling the forged autographs of Ernest Hemingway, William Butler Yeats, T.S. Eliot, and Ezra Pound—a story that could have taken wings if written by the likes of Nicholas Basbanes or Alberto Manguel, but falls flat on the page in the Goldstones’ hands. The best moments come sporadically, in the form of data that will send collectors scurrying to their libraries to see whether they have a first American edition of Cold Mountain (worth a few hundred dollars) or a first UK edition of the inaugural volume in J. K. Rowling’s Harry Potter series (worth something like $30,000).
That inspiration aside, Warmly Inscribed doesn’t amount to much.Pub Date: June 1, 2001
ISBN: 0-312-26268-X
Page Count: 208
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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