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AND HOW ARE YOU, DR. SACKS?

A BIOGRAPHICAL MEMOIR OF OLIVER SACKS

A thoroughly engaging and enchanting story.

A deeply personal account of the acclaimed neurologist.

Former New Yorker staff writer Weschler (Waves Passing in the Night: Walter Murch in the Land of Astrophysicists, 2017, etc.) concedes that this varied mix of biography and memoir is not a full biography of Oliver Sacks (1933-2015). Rather, the author focuses on the early 1980s, when he was regularly meeting with Sacks, “serving as a sort of Boswell to his Johnson,” compiling notebooks for a profile he planned to write. For Weschler, these years are the “hinge of [Sacks’] professional and creative progress,” when this “virtual hermit would be on the precipice of worldwide fame.” What emerges is a dazzling portrait of a “graphomaniac,” a “grand soliloquizer,” an “unparalleled clinician,” a “studiously detached naturalist,” prodigious swimmer, weight lifter, and reckless motorcycle speed demon. Weschler learned a number of intimate details about Sacks, including that he was gay: “I have lived a life wrapped in concealment and wracked by inhibition,” Sacks told him. He asked Weschler not to publish the profile, and it was only when he was dying that he told him: “Now….You have to.” Much of the book is told in Sacks’ own words, which Weschler transcribed, or from handwritten letters Sacks sent him, giving the narrative a rich immediacy. Early on, he realized Sacks was a prodigy who possessed a “strange consciousness and awareness…of his own oddity.” Weschler also interviewed Sacks’ close friends, including the poet Thom Gunn and Jonathan Miller, the physician member of the comedy revue Beyond the Fringe. The author chronicles his time spent with Sacks on his rounds with patients as he brilliantly diagnosed their neurological illnesses. He joined Sacks when his bestseller, Awakenings, was being filmed; Sacks and Robin Williams became friends. Also included is a forthright “digression” on Sacks’ propensity to exaggerate or make things up. The two were still very close near the end, and Weschler intimately recounts Sacks’ final years.

A thoroughly engaging and enchanting story.

Pub Date: Aug. 13, 2019

ISBN: 978-0-374-23641-0

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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