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VERMEER IN BOSNIA

CULTURAL COMEDIES AND POLITICAL TRAGEDIES

A welcome addition to Weschler’s body of work.

Fugitive essays that touch on the sublime beauty of the world—and its naked weirdness, and the strangeness and murderousness of humans, and other such tropes.

“The world as it is is overdetermined: the web of all those interrelationships is dense to the point of saturation.” So writes Weschler (Mr. Wilson’s Cabinet of Wonder, 1995, etc.), who thrives on tracing unlikely linkages among disparate persons and things without, blessedly, resorting to postmodern barbarisms in order to make his points. Thus, for instance, Weschler ponders the nature of art as it emerges in the masterworks of Jan Vermeer, born in a time of savage warfare across northern Europe (“at a tremendously turbulent juncture in the history of his continent, he had been finding—and, yes, inventing—a zone filled with peace, a small room, an intimate vision”), and then, by a bit of rhetorical magic, joins that happy vision to the hungers of memory that fueled the slaughter in the former Yugoslavia. He considers the elective affinities that turn up as leitmotif in the lives of the Polish exile Roman Polanski (Weschler’s profile of whom may well be the best in the large literature devoted to the filmmaker and international outlaw), the propagandist Jerzy Urban (“short, squat, porcine, with ludicrously oversized, radar-dish ears”), the child of Holocaust survivors Art Spiegelman (whose odd battles with the filmmaker Steven Spielberg make for yet another surprising twist). He touches on the photographic collages of David Hockney, the Jewishness of Star Trek’s Spock, the musical compositions of his grandfather, and the experience of living through the Northridge earthquake of 1994. The pieces don’t add up to anything approaching a coherent whole (things postmodern seldom do), and themes come and go, but Weschler’s indefatigable literariness and pleasantly unpretentious style help make these fugitive pieces a pleasure to read.

A welcome addition to Weschler’s body of work.

Pub Date: July 6, 2004

ISBN: 0-679-44270-7

Page Count: 416

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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HOW DEMOCRACIES DIE

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics,...

A provocative analysis of the parallels between Donald Trump’s ascent and the fall of other democracies.

Following the last presidential election, Levitsky (Transforming Labor-Based Parties in Latin America, 2003, etc.) and Ziblatt (Conservative Parties and the Birth of Democracy, 2017, etc.), both professors of government at Harvard, wrote an op-ed column titled, “Is Donald Trump a Threat to Democracy?” The answer here is a resounding yes, though, as in that column, the authors underscore their belief that the crisis extends well beyond the power won by an outsider whom they consider a demagogue and a liar. “Donald Trump may have accelerated the process, but he didn’t cause it,” they write of the politics-as-warfare mentality. “The weakening of our democratic norms is rooted in extreme partisan polarization—one that extends beyond policy differences into an existential conflict over race and culture.” The authors fault the Republican establishment for failing to stand up to Trump, even if that meant electing his opponent, and they seem almost wistfully nostalgic for the days when power brokers in smoke-filled rooms kept candidacies restricted to a club whose members knew how to play by the rules. Those supporting the candidacy of Bernie Sanders might take as much issue with their prescriptions as Trump followers will. However, the comparisons they draw to how democratic populism paved the way toward tyranny in Peru, Venezuela, Chile, and elsewhere are chilling. Among the warning signs they highlight are the Republican Senate’s refusal to consider Barack Obama’s Supreme Court nominee as well as Trump’s demonization of political opponents, minorities, and the media. As disturbing as they find the dismantling of Democratic safeguards, Levitsky and Ziblatt suggest that “a broad opposition coalition would have important benefits,” though such a coalition would strike some as a move to the center, a return to politics as usual, and even a pragmatic betrayal of principles.

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics, rather than in the consensus it is not likely to build.

Pub Date: Jan. 16, 2018

ISBN: 978-1-5247-6293-3

Page Count: 320

Publisher: Crown

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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