by Laya Steinberg ; illustrated by Colleen Madden ‧ RELEASE DATE: Sept. 1, 2017
A simple Sukkot story that focuses on the concept of helping those in need.
Many families from Micah’s synagogue are picking pumpkins for a soup kitchen.
Micah asks his mother, “What’s a soup kitchen?” She explains, and his dad adds the definition of tikkun olam, the Jewish concept of doing good deeds, or “repairing the world.” As a reward for their good work, each child will receive a pumpkin. Micah wants to find a large one for Sukkot, the Jewish harvest festival. After picking pumpkins all day, he finally gets ready to choose, but when he finds a gigantic one, he remembers the soup kitchen. Farmer Jared gently tells him that the big pumpkins are not good for cooking but can be used to make “a wonderful decoration.” The boy finds “a perfect little pumpkin” and dreams of his Sukkot meal but realizes that his family has enough food and other people need the perfect pumpkin more than he does. He adds it to the donations and accidentally steps on a rotten pumpkin. As the farmer explains that this pumpkin will serve as compost, Micah discovers the best pumpkin of all—the seeds to grow his own—“for next year.” Micah and his family are white, but there are Asian and black synagogue members. There are few details about the celebration, but the colorful paintings are humorous and show the sukkah with its harvest decorations.
A simple Sukkot story that focuses on the concept of helping those in need. (afterword, activities) (Picture book. 4-7)Pub Date: Sept. 1, 2017
ISBN: 978-1-5124-0865-2
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
Share your opinion of this book
More by Laya Steinberg
BOOK REVIEW
by Laya Steinberg & illustrated by Debbie Harter
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
Share your opinion of this book
More by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
More About This Book
SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Share your opinion of this book
More by Marilyn Sadler
BOOK REVIEW
by Marilyn Sadler ; illustrated by Stephanie Laberis
BOOK REVIEW
by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
BOOK REVIEW
by Marilyn Sadler ; illustrated by Ard Hoyt
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.