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DINOSAURS CAN'T ROAR

Worthy of a growl but not a roar.

Dino facts exposed—in rhyme!

Beason and Epelbaum introduce readers to a black woman paleontologist and her friend Rex, a cartoon T. Rex, who work to dispel common and historical myths about dinosaurs. As the rhyming lecture unfolds, Rex—and, later, a small herd of dino friends—morphs to mirror the changes described, which reflect advances in scientific thought. Overall, Beason’s concept is amusing and her rhyming quartets (aabb) flow smoothly. She ends the story by letting readers know that our current theories about the thunder lizards are still evolving: “Roaring or not, let’s give dinos three cheers! / They ruled on this planet for millions of years. / We still love them all—Brontosaurus to Rex! / Who knows what we’ll learn about dinosaurs next?” The weak spot in the story may be the visual emendations seen in Rex and the other dinosaurs: As the characters are illustrated in a rounded, friendly, cartoon style, some of the changes (such as Rex’s posture or Triceratops’ crest) depicted are unsatisfyingly subtle. The backmatter, however, includes enough information to help caregivers explain the changes. This correction is somewhat undercut by anatomically inaccurate accompanying line drawings of Brontosaurus and Stegosaurus. Given the subject matter, the book may be a welcome snack at storytime, but it won’t be top of the food chain.

Worthy of a growl but not a roar. (Informational picture book. 6-8)

Pub Date: March 1, 2020

ISBN: 978-1-4926-9365-9

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Nov. 4, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE HONEYBEE

Readers (and listeners) will think that this book is the bee’s knees.

Children will be buzzing to learn more about honeybees after reading this story.

Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.

Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)

Pub Date: May 8, 2018

ISBN: 978-1-4814-6997-5

Page Count: 48

Publisher: Atheneum

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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