Razor-sharp writing distinguishes stories that enthrall as often as they unnerve.
Machines, dolls, and ghastly things animate von Hessen’s debut collection of somber horror tales.
In “The Contagion,” the Dreiyer family’s annual road trip includes a stop at a bed-and-breakfast—that’s where 7-year-old Sylvia peeks into a trunk of dolls, one of which, she swears, moves on its own. Decades later, when looking for inspiration for a TV show she’s working on, she returns to the inn and makes a startling discovery. Von Hessen’s 14 stories herein tackle such diverse subgenres as the undead, body horror, and something more Lovecraftian (“Spectral Golem”), but there’s a discernible theme of identity that runs throughout the book. Characters interrogate their pasts; the narrator of “The Patent-Master” travels to an island coastal town, where the discovery of their late mother’s former profession is the first of many surprises. In one of the collection’s highlights, “The Obscurantist,” Brooklyn-based Andrei’s lifelong obsession with a girl who once appeared on an obscure variety show ultimately leads him down a dark path. These tales are bleak, forgoing humor and zeroing in on individuals who find themselves in miserable, appalling, or lethal circumstances. A few of the entries dive deep into visceral and grotesque imagery; one that’s sure to turn stomachs is “Roscoe’s Malefic Delights,” which is about a newly opened eatery with only one item on its menu: These “delights” (“reminiscent of blood-drained white worms or skinned, flattened rats’ tails or stringy strips of tripe”) definitely don’t look appetizing, but their appearance may not be their worst attribute. In every chilling moment and unexpected turn, the author’s prose is nothing short of intoxicating—unforgettable passages equate one man with “the human embodiment of a prolonged sigh”; a “sloshing” akin to a “half-empty jar of preserves” describes something that ideally shouldn’t be making that sound.
Razor-sharp writing distinguishes stories that enthrall as often as they unnerve.Pub Date: Nov. 20, 2024
ISBN: 9798218491857
Page Count: 244
Publisher: Grimscribe Press
Review Posted Online: Oct. 30, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
SEEN & HEARD
PERSPECTIVES
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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