Next book

THE LAST TIME WE WERE US

An easy, intelligent coming-of-age tale.

All teens want to be popular in high school…but not all are. Konen combines humor and pathos for a realistic novel about the conflict between peer pressure and personal strength.

It’s been years since Liz and Jason were best friends. He left her behind when he joined the “in” crowd, before going to juvie for a horrible crime. Now it’s Liz’s turn to be “in,” sitting at the best table, having the most popular girl as her new best friend, and dating the most handsome boy in school. But then Jason returns, and he wants to be friends again. If she says no, she can be in her sister’s wedding and keep her friends and new, carefree lifestyle. If she says yes, she loses everything she was so sure she wanted. Everyone is telling her what to do, what to think, and what to be. But it’s time for Liz to make her own decisions, regardless of what anyone else thinks. Konen lets Liz’s struggle with her conscience play out in the present tense first person, her clear eyes seeing what’s behind the veneer of white Southern gentility. She describes alcohol, sex, love, and loss frankly and realistically, though her examination does not extend to a substantive examination of race relations.

An easy, intelligent coming-of-age tale. (Romance. 14-18)

Pub Date: May 10, 2016

ISBN: 978-0-06-240247-9

Page Count: 368

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

Awards & Accolades

Likes

  • Readers Vote
  • 90


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

Awards & Accolades

Likes

  • Readers Vote
  • 90


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Close Quickview