A strange and haunting art project.
This multimedia collection of ghost stories uses found photographs, architectural plans, social media comments, and illustrations to create artifacts of grief and loss.
In her essay about the persistence of ghost stories in American literature, critic Parul Sehgal suggests the form survives because it allows writers to offer "social critiques camouflaged with cobwebs." Yet, in her latest collection, Shapton (Swimming Studies, 2012, etc.) uses ephemera not to catalog our social ills but to collect evidence of well-heeled lives at risk of being forgotten or brushed aside. The effect is diffuse and eerie, more often mood than assertion or plot. In one story, a professional tennis player listens to the advice of his invisible friend, Walter, in order to win matches. Eventually he's driven mad by the ghost's demands. In another piece, Shapton catalogs social media comments for an unseen photograph. The comments are stripped of most punctuation and almost all context; the chorus of approval dances around a body the reader will never see. Occasionally a first-person narrator encounters others at cocktail parties, where she learns of still more ghosts haunting her acquaintances. Shapton's vignettes are at their strongest when she imagines the hidden lives of inanimate objects, as in "Sirena de Gali," which pairs vintage clothing descriptions with brief scenes from the lives of their former owners. There's often a playfulness to her texts, too, as when she juxtaposes historical photographs of the iceberg that downed the Titanic with scribbled notes from a restaurant manager trying to appease her rich but ill-mannered clientele. When Shapton doesn't gravitate toward gothic photos of dark houses and empty beds, she is invested in trying to capture the feeling of bodies that have just left a room, whether living or dead, real or imagined. "Living without what the photo does not give back," reads one cryptic caption. "What you don't see. What you don't get to see." We may not always get to see the lives of others, Shapton seems to say, but still they were here.
A strange and haunting art project.Pub Date: March 26, 2019
ISBN: 978-0-399-15818-6
Page Count: 320
Publisher: Riverhead
Review Posted Online: Jan. 15, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.
The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.
Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.Pub Date: Sept. 10, 2019
ISBN: 978-1-9821-1056-7
Page Count: 576
Publisher: Scribner
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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