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MURDER AT THE PTA

Cozy goes hard-boiled.

An unlikely team tracks down the killer of an online scandalmonger.

Nobody knows better than PTA president Sandra Wallage how miserable internet trolls can make your life. Ever since the website Dirty Laundry posted a story about how her husband, Stephen, one of Maine’s U.S. senators, used taxpayer money to hush up a sex scandal, she’s been afraid to show her face at South Portland High School, where her older son, Jack, is a football star and her younger son, Ryan, is trying out for the school musical. But the PTA needs her, so she bravely leads the next meeting—which ends in a brawl fueled by a torrent of additional rumors pouring out of Dirty Laundry’s dirty mouth. Joined by Maya Kendrick, a private investigator who wouldn’t be caught dead at a PTA meeting if she hadn’t been hired to find out who’s behind the nasty website, Sandra rushes to find Maisie Portman. But their hopes that the assistant principal can help restore order are dashed when they find her dead in her office, an apparent suicide. Maisie’s sister, who thinks that Maisie was murdered, hires Maya to prove it. And the last thing the tough ex-cop wants is help from Sandra. But PTA presidents are nothing if not persistent. Besides, Maya’s regular partner is eight months pregnant and on reduced hours. As the two become a team, spicy Maya and sturdy Sandra discover a mutual respect that surprises them both and should delight fans of Maine stalwart Hollis (Death of a Wedding Cake Baker, 2019, etc.).

Cozy goes hard-boiled.

Pub Date: Aug. 27, 2019

ISBN: 978-1-4967-1986-7

Page Count: 320

Publisher: Kensington

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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