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NO WAY, THEY WERE GAY?

HIDDEN LIVES AND SECRET LOVES

Entertaining, illuminating, and an accessible antidote to dominant histories.

A lighthearted celebration of select LGBTQ+ individuals throughout history.

“History was crafted by the people who recorded it,” writes Wind as he endeavors to “reclaim the queer history” of 12 individuals (and, tangentially, about a dozen more). Wind’s spotlight shines on those whose stories he deems “earth-shaking surprises,” ranging from Pharaoh Hatshepsut (1495-1458 B.C.E.) to Lesotho storyteller M’e Mpho Nthunya (1930-2013). Chapters provide helpful historical context before diving into the figures’ lives—and, importantly, loves. Throughout, Wind is careful to use correct or historically accurate pronouns (or, in the case of uncertainty, the singular they). Deftly weaving in primary sources (in bold text), cheeky sidebars, and his own narrative observations as a gay man, Wind keeps the tone conversational and playful. Open-ended questions allow readers to draw their own conclusions—a particularly nice touch for those histories that rely on speculative details. Though Wind is upfront about some racist or problematic attitudes, his rosy picture of Abraham Lincoln makes for an inconsistent treatment. Nonetheless, the careful (though not comprehensive) selection of figures achieves a rare sense of balance. The three overarching categories—“Men Who Loved Men,” “Women Who Loved Women,” and “People Who Lived Outside Gender Boundaries”—each cover four people of varying identities (including race and ethnicity). Unfortunately, the separation based on gender results in an unnecessarily binary organizational scheme.

Entertaining, illuminating, and an accessible antidote to dominant histories. (author's note, source notes, resources, index) (Biography. 11-18)

Pub Date: April 6, 2021

ISBN: 978-1-5415-8162-3

Page Count: 296

Publisher: Zest Books

Review Posted Online: Jan. 25, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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SMILE

Telgemeier has created an utterly charming graphic memoir of tooth trauma, first crushes and fickle friends, sweetly reminiscent of Judy Blume’s work. One night, Raina trips and falls after a Girl Scout meeting, knocking out her two front teeth. This leads to years of painful surgeries, braces, agonizing root canals and other oral atrocities. Her friends offer little solace through this trying ordeal, spending more of their time teasing than comforting her. After years of these girls’ constant belittling, Raina branches out and finds her own voice and a new group of friends. Young girls will relate to her story, and her friend-angst is palpable. Readers should not overlook this seemingly simply drawn work; the strong writing and emotionally expressive characters add an unexpected layer of depth. As an afterword, the author includes a photo of her smiling, showing off the results of all of the years of pain she endured. Irresistible, funny and touching—a must read for all teenage girls, whether en-braced or not. (Graphic memoir. 12 & up)

Pub Date: Feb. 1, 2010

ISBN: 978-0-545-13205-3

Page Count: 224

Publisher: Bantam Discovery

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 1, 2010

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Mansa Musa and the Empire of Mali

A thoughtful, engaging history for intermediate students interested in Africa.

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Oliver’s debut, about one of West Africa’s most powerful and charismatic leaders, delivers a vibrant mix of history and historical fiction for young adults.

The book introduces the medieval empire of Mali with several short narrative essays on trans-Atlantic exploration, trade and mining and soon narrows its focus to the compelling life story of the emperor Mansa Musa, who ruled Mali in the early 1300s. Oliver shows how Musa gained influence while making a lavish, politically important trip to Mecca, and his deft explanation of how Musa crossed the vast Sahara Desert briefly but skillfully conveys the difficulty of the lengthy voyage. This enjoyable work smoothly blends historical text with memorable anecdotes from primary and secondary sources, photos and sketches of replicas of ancient and medieval African art, and well-drawn maps. The book moves at a fast pace, and the author’s clear, straightforward style is likely to appeal to young adults. He easily switches between topics, discussing history (how Musa gained recognition in Egypt and North Africa), religion (how Islam shaped Musa and his empire), architecture (the methods of construction for Malian mud-brick buildings) and fables (the legend of the Malian “gold plant”). However, Oliver always strives for historical accuracy; even his fictional account of a young sandal maker who travels to Niani’s great market contains period-appropriate language and scenery. The book also includes a lengthy glossary that is amply illustrated with drawings and photographs of West African boats and buildings. The work’s one shortcoming is its abrupt ending after Musa returns home; it lacks a thorough explanation as to how and why the empire of Mali eventually dissolved.

A thoughtful, engaging history for intermediate students interested in Africa.

Pub Date: March 26, 2013

ISBN: 978-1468053548

Page Count: 128

Publisher: CreateSpace

Review Posted Online: July 31, 2013

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