by Leila Guerriero translated by Frances Riddle ‧ RELEASE DATE: Jan. 31, 2017
A timeless tale rendered in spare, evocative prose.
The story of one man’s quest, simply and movingly told.
Each January, the village of Laborde, in southeastern Argentina, holds a national folkloric dance competition for the best performance of the malambo. Rigorous, energetic, and demanding, the malambo can be described simply as “a battle between men who tap in turn to music.” The competition requires that the dancer perform for five minutes—which feels like an eternity and leaves the performer drained and exhausted. With its intricate moves, athleticism, and musicality, the dance requires years of arduous training and intense concentration, but the effort is worth the outcome: national prestige. Winning the contest can be life-changing; the winner is acclaimed throughout the country, and he becomes a superstar, role model, and hero. With so much at stake, the competition is fierce. Journalist Guerriero traveled to Laborde to witness the event and became entranced by one competitor: the modest, handsome Rodolfo González Alcántara, a 28-year-old dance teacher from the town of La Pampa. When he performed, writes the author, “he made the night crackle.” Born into poverty, eking out a living teaching, Rodolfo nevertheless ardently pursued his dream of becoming a master of malambo, taking lessons, practicing for hours each day, and assessing and evaluating every step. With gentle sensitivity, Guerriero portrays his family, his encouraging teacher, his loyal girlfriend (also a dancer), and his grateful pupils. Rodolfo has no illusions about his talent and has to convince himself repeatedly that he can be a champion. His story “was that of a man who had awakened the most dangerous of emotions: hope.” Guerriero transforms Rodolfo’s quest into a fable, reminiscent of the work of her countrymen Jorge Luis Borges and Julio Cortázar. She portrays Rodolfo with such obvious affection that readers cannot help cheer him on, but it would spoil the tension that the author masterfully creates to reveal the outcome of the competition.
A timeless tale rendered in spare, evocative prose.Pub Date: Jan. 31, 2017
ISBN: 978-0-8112-2600-4
Page Count: 120
Publisher: New Directions
Review Posted Online: Nov. 8, 2016
Kirkus Reviews Issue: Nov. 15, 2016
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More by Leila Guerriero
BOOK REVIEW
edited by Leila Guerriero
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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More by Rebecca Stefoff
BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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