A potentially intriguing experiment runs aground.
Worlds collide and characters come to life when four young writers discover the limits of their creative powers.
Haunted by the deaths of their sisters Maria and Elizabeth, the motherless Brontë quartet seeks to escape small-town life and limited futures through their shared-world stories. When Emily balks at her and Anne’s exclusion from tales of Verdopolis, older siblings Charlotte and Branwell reluctantly readmit their sisters—literally as well literarily, for Verdopolis is a realm manifested through their strong imaginations…and an uneven bargain with an untrustworthy spirit. There, the four encounter semisentient characters, some growing aware of their frequent revisions and intent on hunting down Verdopolis' creators. Loosely based on the real Brontës’ juvenilia and drawing heavily on their published works—violent but variable Rogue is an ur-Heathcliff, Zamorna a Mr. Rochester—Verdopolis and its inhabitants are shifting and shallow, ornately detailed but lacking depth. The fictional Brontës are equally underdeveloped, hewing closely to their biographically documented roles: plain Charlotte despairs of becoming a governess; braggart Branwell fears obscurity; eccentric Emily loves the wild moors; and prim Anne is unflinchingly honest and overly preachy. The frivolous and erratic worldbuilding and the childish Brontës’ capricious actions undermine Coakley’s serious contemplations of creativity, class, and guilt.
A potentially intriguing experiment runs aground. (Fantasy. 12-18)Pub Date: Jan. 5, 2016
ISBN: 978-1-4197-1034-6
Page Count: 352
Publisher: Amulet/Abrams
Review Posted Online: Sept. 20, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
