by Lena Landström ; illustrated by Olof Landstrom ; translated by Julia Marshall ‧ RELEASE DATE: April 1, 2015
Pom is the elemental Everychild—and just darlin’.
Dog takes Pom’s Pim in this return of one of the most heart-gladdening creatures on Earth (Pom and Pim, 2014).
Pim is an unidentified stuffed-animal product—say, a big crab cake with four legs and sightless eyes—that is Pom’s companion in their progress through the day. Toddler Pom has a high forehead and a short mop of red hair; he is tubular and berobed in a long, purple sweater. This day, Pom and Pim are at the park. Pom is tossing Pim in the air. Pim likes this: “Pim wants to fly. / Pim is flying high.” Easy-peasy for readers just starting out. Enter stage left a dog that snatches Pim out of the air and hares off. “Where is Pim?” Another dog comforts Pom, and the two search high and low. (Really sharp readers will note that this dog is a mirror image of the dog that made off with Pim and not the same one.) Not under the bench, nor in the rhododendrons. Not in the fountain’s waters—electric fear makes Pom’s hair stand on end—but ho! Here comes the other dog, Pim safely in tow. No more flying for Pim today, especially with that beagle still mooching around. Given a souped-up reading or delivered quietly, Pom’s adventure is a pure grabber.
Pom is the elemental Everychild—and just darlin’. (Picture book. 2-7)Pub Date: April 1, 2015
ISBN: 978-1-927271-73-5
Page Count: 32
Publisher: Gecko Press
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Lena Landström ; illustrated by Olof Landstrom ; translated by Julia Marshall
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by Lena Landström & illustrated by Lena Landström & translated by Joan Sandin
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by Lena Landström & illustrated by Olof Landstrom & translated by Joan Sandin
by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Sept. 23, 2014
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Alice Schertle ; illustrated by Jill McElmurry
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by Alice Schertle ; illustrated by John Joseph
BOOK REVIEW
by Alice Schertle ; illustrated by John Joseph
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
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