A thrilling amalgam of Clancy’s Jack Ryan and London’s White Fang set in the chaos of South Asia.
Wilson continues the adventures of former Delta Force soldier-turned-mercenary Jackson “Jax” Wade and his giant Kuchi dog partner in this sequel to Dogs Bark and People Die(2020).
Fresh off a successful mission in Afghanistan with former Delta Force brother in arms Jesse Morris (they neutralized marauders attempting to disrupt a natural gas pipeline running through Afghanistan to India), Jackson Wade is contacted by his former employer, Damocles Security Services, at his home in Thailand with an urgent request. As American troops begin their withdrawal from Afghanistan, and as the Taliban rushes in to take over the country, the U.S. president’s niece, a human rights activist, is trapped in Taliban territory with two of her would-be rescuers, both female CIA operatives. With a potential political disaster looming, Wade (along with canine partner Dog) and Morris are tasked with the virtually impossible mission to extract the “package” and the two CIA agents from enemy territory that’s swarming with Taliban and Taliban sympathizers. As the body count rises, the mercenaries travel through a wasteland of inhuman horror and brutality. And as they inch closer to their destination, Morris asks a profound question that is very much a theme of the work: “Is Dog becoming more like us, or are we becoming more like Dog?”
There are numerous narrative elements that make this novel—and this series—simply unputdownable. The character development is exceptional; while the vast majority of military thrillers feature emotionally stunted, two-dimensional stereotypes, Wilson digs deep into not only Wade’s psyche, but also those of supporting female characters, including former U.S. Army captain Gretchen Sachs, the executive assistant to the head of Damocles; Carol Rossa, deputy CIA station chief in Kabul; and Sharon Beck, an analyst on the counterinsurgency desk in the CIA section of the American embassy in Kabul. The multilayered characterizations are complemented by adrenaline-fueled pacing and nonstop action that will keep readers breathlessly turning pages. Short chapters and frequent shifts of POV also help to maintain the fast and furious narrative momentum. Military fiction afficionados will appreciate the attention to detail when it comes to weaponry and tactical equipment: “Oakley Tombstone shooting glasses with gray-brown lenses covered their eyes, and each wore tan tactical shooting gloves. HK 416C carbines were near at hand, with 10.4-inch barrels, vertical foregrips, retractable stocks, Aimpoint CompM4 reflex sights, and inserted twenty rounds of .300 AAC Blackout cartridges.” Wilson’s frequent references to pop culture add an additional layer of interest and subtle humor—name-checks of Jean-Claude Van Damme, the Game of Thrones series, Mad Max, and Stephen King’s Cujo will have readers smiling to themselves. But the principal element that makes this series such a wildly unique military-thriller saga is the psychic connection between Wade and Dog. Their ability to “mind-talk” is fascinating in and of itself, but the way Wilson subtly ties it to arcane Afghani folklore—“some Kuchi dogs are magical”—makes the connection even more intriguing. One minor caveat: The story’s romance elements around Wade and Morris and their respective love interests come across as forced, inauthentic, and, frankly, unnecessary.
A thrilling amalgam of Clancy’s Jack Ryan and London’s White Fang set in the chaos of South Asia.Pub Date: April 2, 2024
ISBN: 9798876727947
Page Count: 376
Publisher: Self
Review Posted Online: June 24, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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