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THE GODS AND GODDESSES OF ANCIENT CHINA

In his latest gallery of divinities, Fisher profiles 17 of “the most popular” deities in traditional Chinese culture, from the mighty Jade Emperor Yu Huang Da Di to two nameless Menshen, soldiers elevated to the status of “door gods,” and charged with ensuring peaceful sleep. As usual, the art slightly evokes a national style, but is mostly Fisher; opposite a page-length disquisition on the origin and attributes of each, he poses monumental, slant-eyed, robed figures floating against monochromatic backgrounds and, generally, glowering up at the viewer. Though the information here is strictly recycled, and readers may be confused by the sight of Zhong Kui, the putative god of healing, wielding a sword—not to mention Tibet included among the “Lands of Ancient China” on the endpaper maps—for supporting classroom units or introducing younger children to an unfamiliar system of worship, this album has few competitors. Fisher closes with a helpful list of sources, along with a Pinyin pronunciation guide. (Picture book/nonfiction. 7-9)

Pub Date: Aug. 15, 2003

ISBN: 0-8234-1694-1

Page Count: 36

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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CELEBRATE THE 50 STATES!

Leedy (Measuring Penny, 1998, etc.), so deft in making hard facts memorable and setting information into a context that makes sense to children, selects a hodge-podge of details and miscellany to convey a sense of what every state is about, as either a political entity or a place. Into lively, effulgent illustrations she plants a monotonous, forgettable list of items to distinguish every state: a map, the state flower and bird, a whiff of landscape, a glimpse of industry. There’s little about such a list—e.g., wheat, pronghorn, western meadowlark, prairie rose, Sitting Bull—to shout, in that example, “North Dakota” to children. The alphabetical listing—Alaska through Wyoming, four states a spread, with room for the US territories and Washington, D.C.—will help researchers, although it necessarily separates states that have natural geographic or historic connections, such as Vermont and New Hampshire, or West Virginia and Virginia, divided during the Civil War. Readers gain a good, first-line resource, with all the enthusiasm Leedy has made her trademark, but without much chance that they’ll adopt the excitement. (Picture book. 4-8)

Pub Date: Sept. 15, 1999

ISBN: 0-8234-1431-0

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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