Though readers may not understand L'Engle the human being any better than they did before, they will certainly come away...
A multifaceted portrait of the complicated writer who won the 1963 Newbery Medal for A Wrinkle in Time.
Timed as part of the publisher's 50th-anniversary celebration of the beloved classic (an observance that also includes a graphic-novel treatment by Hope Larson and the inevitable commemorative reissue), this collection brings more than 50 voices to bear on the life and career of Madeleine L'Engle (1918–2007). Children's-literature scholar Marcus (Show Me a Story: Why Picture Books Matter: Conversations with 21 of the World's Most Celebrated Illustrators, 2012, etc.) approached the project with a curator's eye, seeking out interview subjects who knew L'Engle in an impressive range of roles. He has arranged their remarks thoughtfully, in sections that cover L'Engle as a child and youth, writer, matriarch, mentor, friend and icon. Readers most familiar with her work for children will discover L'Engle the Anglican mystic, and vice versa. Marcus is an unobtrusive interrogator; in many cases, he elides his questions altogether, allowing his interlocutors to speak fluidly and directly. Though their relationships with L'Engle were varied, common threads emerge. An actor by training, L'Engle consciously constructed her own public persona, transforming her biography and history into "mythic material," as with the ever-expanding number of rejections she received for A Wrinkle in Time. Generous with the public ("Fame fit her like a glove," remarks Stephen Roxburgh, one of her editors), her personal life was not so easy—only one of her two surviving children chose to participate. Many of the interviewees directly respond to Cynthia Zarin’s controversial 2004 profile in the New Yorker (including Zarin), though few try to refute it. Other contributors include Judy Blume, Jane Yolen, T.A. Barron, Thomas Cahill and Wendy Lamb.
Though readers may not understand L'Engle the human being any better than they did before, they will certainly come away with a greater appreciation for the way she grappled with her life and wrestled it into narrative.Pub Date: Nov. 13, 2012
ISBN: 978-0-374-29897-5
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 29, 2012
Kirkus Reviews Issue: Sept. 15, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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