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LISTENING FOR MADELEINE

A PORTRAIT OF MADELEINE L'ENGLE IN MANY VOICES

Though readers may not understand L'Engle the human being any better than they did before, they will certainly come away...

A multifaceted portrait of the complicated writer who won the 1963 Newbery Medal for A Wrinkle in Time.

Timed as part of the publisher's 50th-anniversary celebration of the beloved classic (an observance that also includes a graphic-novel treatment by Hope Larson and the inevitable commemorative reissue), this collection brings more than 50 voices to bear on the life and career of Madeleine L'Engle (1918–2007). Children's-literature scholar Marcus (Show Me a Story: Why Picture Books Matter: Conversations with 21 of the World's Most Celebrated Illustrators, 2012, etc.) approached the project with a curator's eye, seeking out interview subjects who knew L'Engle in an impressive range of roles. He has arranged their remarks thoughtfully, in sections that cover L'Engle as a child and youth, writer, matriarch, mentor, friend and icon. Readers most familiar with her work for children will discover L'Engle the Anglican mystic, and vice versa. Marcus is an unobtrusive interrogator; in many cases, he elides his questions altogether, allowing his interlocutors to speak fluidly and directly. Though their relationships with L'Engle were varied, common threads emerge. An actor by training, L'Engle consciously constructed her own public persona, transforming her biography and history into "mythic material," as with the ever-expanding number of rejections she received for A Wrinkle in Time. Generous with the public ("Fame fit her like a glove," remarks Stephen Roxburgh, one of her editors), her personal life was not so easy—only one of her two surviving children chose to participate. Many of the interviewees directly respond to Cynthia Zarin’s controversial 2004 profile in the New Yorker (including Zarin), though few try to refute it. Other contributors include Judy Blume, Jane Yolen, T.A. Barron, Thomas Cahill and Wendy Lamb.

Though readers may not understand L'Engle the human being any better than they did before, they will certainly come away with a greater appreciation for the way she grappled with her life and wrestled it into narrative.

Pub Date: Nov. 13, 2012

ISBN: 978-0-374-29897-5

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 29, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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