A calm, cohesive take on a hot-button issue.
Thirteen prominent authors of children’s and young adult literature talk about one thing they all have in common: All have been the targets of attempts to ban or remove their work from schools and libraries.
Editor Marcus, a noted scholar who interviewed each writer, focuses his introduction on the history of censorship, including a simplistic summation of controversies around Adventures of Huckleberry Finn that spells out the N-word. Each author discusses their work, their personal history, and the reasons why they’ve been censored. Some, like Robie H. Harris and Susan Kuklin, came under attack for discussing sexuality and gender identity. Others, like Angie Thomas and Katherine Paterson, met with objections to swearing (in Thomas’ case, likely a cover for objections to political content). R.L. Stine faced accusations of his books’ promoting the occult. All the authors are positioned as important, powerful voices attacked by conservative censors, and the title may leave readers with the belief that any and all objections are equally wrong. Not taken into account are the subjects of librarians’ weeding collections of titles that may contain offensive stereotypes or booksellers’ deciding whether to stock books criticized for representation seen as harmful. While the text is accessible to middle schoolers, the content may be more interesting for adults in education and the publishing industry, though it disappointingly lacks a fully balanced spectrum of views and sacrifices complexity for a uniform message.
A calm, cohesive take on a hot-button issue. (source notes, selected reading, index) (Nonfiction. 13-adult)Pub Date: July 13, 2021
ISBN: 978-0-7636-9036-6
Page Count: 240
Publisher: Candlewick
Review Posted Online: May 16, 2021
Kirkus Reviews Issue: June 1, 2021
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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