edited by Leonard S. Marcus ‧ RELEASE DATE: July 13, 2021
A calm, cohesive take on a hot-button issue.
Thirteen prominent authors of children’s and young adult literature talk about one thing they all have in common: All have been the targets of attempts to ban or remove their work from schools and libraries.
Editor Marcus, a noted scholar who interviewed each writer, focuses his introduction on the history of censorship, including a simplistic summation of controversies around Adventures of Huckleberry Finn that spells out the N-word. Each author discusses their work, their personal history, and the reasons why they’ve been censored. Some, like Robie H. Harris and Susan Kuklin, came under attack for discussing sexuality and gender identity. Others, like Angie Thomas and Katherine Paterson, met with objections to swearing (in Thomas’ case, likely a cover for objections to political content). R.L. Stine faced accusations of his books’ promoting the occult. All the authors are positioned as important, powerful voices attacked by conservative censors, and the title may leave readers with the belief that any and all objections are equally wrong. Not taken into account are the subjects of librarians’ weeding collections of titles that may contain offensive stereotypes or booksellers’ deciding whether to stock books criticized for representation seen as harmful. While the text is accessible to middle schoolers, the content may be more interesting for adults in education and the publishing industry, though it disappointingly lacks a fully balanced spectrum of views and sacrifices complexity for a uniform message.
A calm, cohesive take on a hot-button issue. (source notes, selected reading, index) (Nonfiction. 13-adult)Pub Date: July 13, 2021
ISBN: 978-0-7636-9036-6
Page Count: 240
Publisher: Candlewick
Review Posted Online: May 16, 2021
Kirkus Reviews Issue: June 1, 2021
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BOOK REVIEW
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by Leonard S. Marcus ; illustrated by Helen Oxenbury
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edited by Leonard S. Marcus
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Adam Eli ‧ RELEASE DATE: June 2, 2020
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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