Padura capably works here in Perez-Reverte territory, where art and ideas meet mayhem. Smart and satisfying though too long...
Cuban mysterian Padura (The Man Who Loved Dogs, 2013, etc.) returns with another installment in his Mario Conde detective series, this one following a Rembrandt portrait over centuries and continents.
Conde, as Padura’s fans know, is a former cop–turned-investigator, suspicious of everyone and everything. It turns out that, to supplement his income as all Cubans on the island must, he’s developed a sideline in the book trade—and has done pretty well for himself as a scout for one Yoyi the Pigeon, an entrepreneurial young “engineer who had never touched a screw or entered any job sites.” It’s in that guise that Conde falls in with a painter, Daniel Kaminsky, who is on the track of a missing treasure: long ago, an ancestor had come into the possession of a small Rembrandt portrait that had traveled with the family across a bitterly anti-Semitic Europe for centuries until arriving in Cuba with a shipload of refugees aboard the ill-fated Saint Louis; that painting, writes Padura, had variously been “a secret, a family heirloom, and, in the end, a jewel on which the last Kaminskys to enjoy owning it would place their greatest hopes for salvation.” Why a Jew of modest means should have been carrying a work of art by the Master in the first place turns out to be the crux of a story that Padura spins off to incorporate numerous threads—in fact, four main strands of them in four separate books that run backward, biblically, from Daniel to Genesis, and that hop from place to place: Havana, Miami, Krakow, Amsterdam. There are real heretics behind the title of Padura’s book, but the term embraces all sorts of outsiders, from Yoyi, who represents something like the fall of socialist man, to young Cuban neo-rebels (“hearing two lesbian confessions on the same day…exceeded his capacity for understanding”) and the hidden marrano Jews of the New World.
Padura capably works here in Perez-Reverte territory, where art and ideas meet mayhem. Smart and satisfying though too long by 100 pages.Pub Date: March 14, 2017
ISBN: 978-0-374-71678-3
Page Count: 544
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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