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QUILT ALPHABET

Rich illustrations and a rhyming text create a puzzle for each letter of the alphabet, inviting a young reader to guess what word the letter might represent. Warm-hearted and generous-spirited paintings provide visual answers. The answers are also found in a key at the end. Objects as American as Apples and Pie are utilized and the theme of Quilts sews it all together. A crazy-quilt pattern decorates the endpapers, each uppercase letter of the alphabet is framed as in the square of a quilt, and many of the illustrations are framed as well. With few exceptions, the objects are tangible, and within the experience of pre-schoolers. The few intangibles (Night, Yellow) are unexpected and therefore more difficult to guess. The oversized format and lush illustrations are strongly appealing; color in all of the paintings is rich and saturated. Painterly brush strokes add depth and elegance to the folksy style. Excellent book design features each letter and text in a way that is easy to see without interfering with the illustrations. The weakest element is the rhyming text. Although the clues are generally good, the rhymes are weakened by cliché. At worst, they suggest advertising copy, as for Apples: “Nature’s handpicked treat / Wholesome goodness to the core.” Some are simply confusing, as the tea Kettle “Captures the cold under its lid / And warms you through and through.” Nonetheless, the graphic appeal is so strong that youngsters in groups or on their own should be drawn to the pictures and to guessing the names of the objects. (Picture book. 3-6)

Pub Date: Sept. 15, 2001

ISBN: 0-8234-1453-1

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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THE CRAYONS GIVE THANKS

Formulaic fare that will nevertheless charm devoted followers.

A few familiar friends explore gratitude.

Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.

Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)

Pub Date: Sept. 10, 2024

ISBN: 9780593690574

Page Count: 32

Publisher: Philomel

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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