A solid effort that offers young readers a glimpse into the lives of children in the time of slavery and appreciate the...
For the enslaved child who grew up to be Frederick Douglass, learning to read led to freedom and a life of activism committed to abolition.
Cline-Ransome has based her story on Douglass’ autobiography, giving the gravitas and formality of the adult to the child. She describes his childhood on a Maryland plantation, including his separation from his mother and the ill treatment he and all the other enslaved children received. Sold to his owner’s relatives, the Aulds, in Baltimore, Frederick Bailey, as he was then known, was taught to read from the Bible by Auld’s kindly wife. When her good deed was discovered by her husband, she was forced to close her library to Frederick. Undeterred, he practiced reading on the streets and along the waterfront. Ransome uses acrylic and oil paints to create a palette rich in the blues and greens of the Chesapeake region. The portrait on the back cover is particularly striking. Husband and wife have been frequent, successful collaborators, and this title is equally commendable. One caveat, though: Ending with Douglass’ successful escape rather than a failed one would have been preferable.
A solid effort that offers young readers a glimpse into the lives of children in the time of slavery and appreciate the development of a most notable life. (author’s note, bibliography, timeline) (Picture book/biography. 6-10)Pub Date: Jan. 3, 2012
ISBN: 978-1-4169-5903-8
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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