A celebration of modern-day fatherhood.
Newman and Ford pay tribute to the relationship between fathers and sons.
Dads and sons learn important life lessons while taking part in a variety of activities, from running along the beach and sitting by the campfire strumming a guitar to gardening and riding bikes. Newman showcases moments that help cement that unbreakable bond, as well as those that help young people learn what it means to be an emotionally intelligent person. We see dads and sons participating in activities that knock down gender stereotypes, such as sewing and baking—a longtime hallmark of Newman’s work. The fathers also teach their sons about the importance of empathy (“The day I broke his favorite lamp, / My daddy said, ‘That’s okay, Champ.’ / He didn’t yell or punish me. / He acted kind and lovingly”), being in touch with one’s feelings (“When I fell down and scraped my knee, My daddy took good care of me… / ‘It’s OK, Bud,’ he said, ‘to cry’”), and providing comfort when things get overwhelming. Newman’s singsong-y text gets these points across without ever veering toward didacticism or mushiness, although adults may want to pre-read before storytime due to some awkward wording in places. Rendered in neutral tones, Ford’s watercolor and colored pencil illustrations capture the warmth of parent/child bonds. Characters are diverse in skin tone and ability; one child uses a wheelchair.
A celebration of modern-day fatherhood. (Picture book. 4-7)Pub Date: April 16, 2024
ISBN: 9781419740213
Page Count: 32
Publisher: Abrams
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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