A fast-paced series that is a good start for reluctant teen readers.
When Jake’s friend Maria, the daughter of undocumented immigrants, goes missing, Jake must find her and keep her safe.
Jake and his family are dirt poor. His mother abandoned the family, his father hates his restaurant job, his older brother is in prison, and his younger brother is withdrawn. Jake’s closest friend, a classmate named Maria, doesn’t share much about her life. Maria finally confesses that her parents are in the country illegally. There have been a lot of government crackdowns on undocumented immigration, and Maria is fearful. When she goes missing, Jake and a friend seek the help of their history teacher, who is able to confirm that Maria’s parents were detained by immigration—but not Maria herself. Maria’s parents’ country of origin is never mentioned, and the book assumes a white default. The strength of this narrative is that Jake doesn’t solve Maria’s problems on his own but relies on his community to help. However, the pervasive use of the phrase “illegal immigrant” throughout is troubling. This story is timely but wraps up too neatly to be believable considering the complexities of undocumented immigration. In Mayan Murder, by Martha Brack Martin (D-Day, 2012), Tom goes on vacation to Cancun with his girlfriend and her FBI agent father and gets involved in solving a drug cartel’s kidnapping of a child. In Hide and Shriek, by Alison Hughes (Kasey & Ivy, 2018, etc.), 14-year-old Emily and her friends spy on their shady neighbors, who are involved in an illegal transaction, and are chased down by the criminals.
A fast-paced series that is a good start for reluctant teen readers. (Thriller. 12-18)Pub Date: Aug. 28, 2018
ISBN: 978-1-4598-1804-0
Page Count: 192
Publisher: Orca
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
