A sweet tale worth slowing down to read.
A Black child rushes through the city to meet his grandmother.
Meet A-Train Allen, who takes his time getting to school in the morning but is known for speeding back home (it’s said that he can traverse the city faster than the subway—hence his nickname). A-Train Allen flies through the park, past the big kids playing basketball and the older men playing chess. As fast as he may be, he’s careful when he crosses the street. Barreling down the pavement, he responds to passersby with, “Got somewhere to be, got somewhere to be!” Depicting a busy, diverse city reminiscent of New York, Ollivierre’s illustrations are all brightness and movement as the boy weaves through crowded streets. A-Train Allen doesn’t slow until he reaches the elevated train station, where the tracks are vibrating with the arrival of a train. Soon after, his grandmother emerges with a kiss and buckets of praise for her grandson, who seems to beat her to the subway stop daily. Now that he’s reunited with his grandmother, A-Train can enjoy a safe and supervised walk home. Younge’s bouncy text makes dynamic use of color, font, and vocabulary (A-Train Allen “bolt[s],” “dash[es], and “skid[s]” on his way home) for a tale of vitality and verve that will resonate with fans of The Quickest Kid in Clarksville (2016) by Pat Zietlow Miller, illustrated by Frank Morrison. (This book was reviewed digitally.)
A sweet tale worth slowing down to read. (Picture book. 4-8)Pub Date: March 15, 2023
ISBN: 9781534111837
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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