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READY OR NOT, WOOLBUR GOES TO SCHOOL!

From the Woolbur series

Woolbur is an excellent role model of self-confidence and positivity.

An excited Woolbur bursts out of bed on the first day of school, confident and ready to take the experience by the horns (an intention that perhaps inspires the exuberant hairdo he has created with red string).

While Maa isn’t sure Woolbur is ready, Paa doubts the school’s readiness for Woolbur, and indeed, Woolbur is one character who is fairly bursting with personality, and he’s not at all concerned with what others think of him. No matter how positively criticism is couched or what his classmates’ complaints might be, Woolbur’s response is the same: “I know….Isn’t it great?” His creativity comes out in the way he writes his name and in his modern art piece, and he takes the school lunch and the noisiness and newness of the playground games in stride. The end of Woolbur’s day brings things full circle to a sweet tuck-in by his parents. The watercolor-and-pencil illustrations feature much the same things many readers will find in their own schools, only tweaked slightly to accommodate the anthropomorphized, multispecies animal cast (the salad bar is labeled “grain,” “hay,” “clover,” and “bones,” and the school bus is a hay-filled wagon pulled by a tractor). Careful observers will see his classmates begin to relax and enjoy their days, his attitude contagious.

Woolbur is an excellent role model of self-confidence and positivity. (Picture book. 5-8)

Pub Date: June 19, 2018

ISBN: 978-0-06-136657-4

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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