by Leslie Kimmelman ; illustrated by Victor Juhasz ‧ RELEASE DATE: April 1, 2014
A captivating introductory piece for budding history buffs.
When the first official visit by a British royal to the United States since independence is scheduled in 1939, Eleanor Roosevelt hosts an all-American picnic.
Fancy White House dinners for heads of state usually are too formal to allow for hot dogs on the menu, but for the first lady, the iconic American sausage is a favorite. She chooses the Roosevelt estate at Hyde Park as the perfect venue, planning it to the last detail with picnic staples of baked beans and, of course, hot dogs. Undeterred by the scathing commentary from across the country, Eleanor persists, creating a memorable afternoon that launches a long-lasting relationship between the once-warring nations—especially important during this period of impending war and economic upheaval. Caricature drawings capture the essence of the personalities and behaviors of the four main participants, Franklin and Eleanor Roosevelt and King George VI and Queen Elizabeth, while adding a sense of reality and amusement to the historically little-known episode. Kimmelman’s straightforward storytelling incorporates some basic explanatory facts and deftly brings this bit of Americana to life. An author’s note provides further context along with a statement that quoted correspondence can be found at Hyde Park; it is silent, however, on the authenticity of the Roosevelts’ dialogue.
A captivating introductory piece for budding history buffs. (Picture book. 7-12)Pub Date: April 1, 2014
ISBN: 978-1-58536-830-3
Page Count: 40
Publisher: Sleeping Bear Press
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Rex Ogle ‧ RELEASE DATE: Sept. 10, 2019
A mighty portrait of poverty amid cruelty and optimism.
Recounting his childhood experiences in sixth grade, Ogle’s memoir chronicles the punishing consequences of poverty and violence on himself and his family.
The start of middle school brings about unwanted changes in young Rex’s life. His old friendships devolve as his school friends join the football team and slowly edge him out. His new English teacher discriminates against him due to his dark skin (Rex is biracial, with a white absentee dad and a Mexican mom) and secondhand clothes, both too large and too small. Seemingly worse, his mom enrolls him in the school’s free-lunch program, much to his embarrassment. “Now everyone knows I’m nothing but trailer trash.” His painful home life proffers little sanctuary thanks to his mom, who swings from occasional caregiver to violent tyrant at the slightest provocation, and his white stepdad, an abusive racist whose aggression outrivals that of Rex’s mom. Balancing the persistent flashes of brutality, Ogle magnificently includes sprouts of hope, whether it’s the beginnings of a friendship with a “weird” schoolmate, joyful moments with his younger brother, or lessons of perseverance from Abuela. These slivers of relative levity counteract the toxic relationship between young Rex, a boy prone to heated outbursts and suppressed feelings, and his mother, a fully three-dimensional character who’s viciously thrashing against the burden of poverty. It’s a fine balance carried by the author’s outstanding, gracious writing and a clear eye for the penetrating truth.
A mighty portrait of poverty amid cruelty and optimism. (author’s note, author Q&A, discussion guide, writing guide, resources) (Memoir. 9-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-324-00360-1
Page Count: 208
Publisher: Norton Young Readers
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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by Victor Hinojosa & Coert Voorhees ; illustrated by Susan Guevara ‧ RELEASE DATE: July 7, 2020
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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