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BE QUIET, MIKE!

During the opening, a stethoscope is trained on mama monkey’s bulging belly, through which strong, rhythmic sounds are being...

Mike the monkey is a born drummer. Literally.

During the opening, a stethoscope is trained on mama monkey’s bulging belly, through which strong, rhythmic sounds are being emitted. From his first months through his early school years, Mike explores his world kinetically, patting, pounding, shaking, discovering the sounds made by the nearest surface or object: “He played with his fingers; / he played with his feet— / a funky little monkey with a / beat, beat, beat.” Patricelli’s pages practically vibrate. Multiple views of Mike are labeled with noises, and the pulsating, rhymed text flows easily—the font growing to suggest increased volume and the “bleed” from the acrylics adding to the sense of motion. The colorful compositions are punctuated periodically by a white double-page spread sporting a quivering typeface with the titular message from family, neighbors and teachers. This contrast provides a recognizable refrain for eager listeners. This monkey’s motivation is not mischief: “Mike tried to be quiet, / he tried to be still, / but the beat of his heart / was stronger than his will.” Particularly poignant is his silence from self-applied tape. When an expensive drum kit catches his eye, he can’t rest until he builds a homemade set, and a musician—and his audience—is born. Front endpapers identify 15 percussion instruments; the closing displays do-it-yourself counterparts.

Pub Date: Aug. 9, 2011

ISBN: 978-0-7636-4477-2

Page Count: 40

Publisher: Candlewick

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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LITTLE BLUE TRUCK'S HALLOWEEN

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes.

A lift-the-flap book gives the littlest trick-or-treaters some practice identifying partygoers under their costumes.

Little Blue Truck and his buddy Toad are off to a party, and they invite readers (and a black cat) along for the ride: “ ‘Beep! Beep! Beep!’ / says Little Blue. / ‘It’s Halloween!’ / You come, too.” As they drive, they are surprised (and joined) by many of their friends in costume. “Who’s that in a tutu / striking a pose / up on the tiniest / tips of her toes? / Under the mask / who do you see?” Lifting the flap unmasks a friend: “ ‘Quack!’ says the duck. / ‘It’s me! It’s me!’ ” The sheep is disguised as a clown, the cow’s a queen, the pig’s a witch, the hen and her chick are pirates, and the horse is a dragon. Not to be left out, Little Blue has a costume, too. The flaps are large and sturdy, and enough of the animals’ characteristic features are visible under and around the costumes that little ones will be able to make successful guesses even on the first reading. Lovely curvy shapes and autumn colors fade to dusky blues as night falls, and children are sure to notice the traditional elements of a Halloween party: apple bobbing, lit jack-o’-lanterns, and punch and treats.

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes. (Board book. 2-4)

Pub Date: July 5, 2016

ISBN: 978-0-544-77253-3

Page Count: 16

Publisher: HMH Books

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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