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BIGGER! BIGGER!

Hooray! Hooray! Again! Again! (Picture book. 2-4)

Building-block play is fodder for a little girl’s imagination.

The exuberant, pigtailed girl from previous Patricelli titles (Faster! Faster!, 2012, etc.) returns, and here her pretend play centers on building blocks. The frontmatter pages show her dumping out multicolored blocks while wearing a construction hat. She starts to build, and the spare setting suggests the inside of a home. This changes with the page turn as the blue wall behind her morphs into an open blue sky, and her pets from the prior page become slightly anthropomorphized. The illustrations thus move readers into the realm of fantasy as the girl’s block creations are now presented as full-scale buildings: first a doghouse, then a house, and “Bigger! Bigger!” until a climactic spread depicts the girl and her pets rejoicing in front of the “Biggest!” city skyline. Then, “BOOM! BOOM!” They hear something, and a page turn reveals a larger-than-life, diapered baby stomping through the city like Godzilla. Readers may see that the baby bears a striking resemblance to the tot featured in Patricelli’s board book series, and they will doubtlessly realize that here the baby is the girl’s little sibling, wreaking havoc on her block play. The story shifts back to reality as baby tries to make amends and the big sister generously welcomes collaborative play. Both girl and baby present white.

Hooray! Hooray! Again! Again! (Picture book. 2-4)

Pub Date: May 8, 2018

ISBN: 978-0-7636-7930-9

Page Count: 32

Publisher: Candlewick

Review Posted Online: Feb. 12, 2018

Kirkus Reviews Issue: March 1, 2018

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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LOVE YOU MORE

It’s nothing new, but it’s also clearly heartfelt.

A love song from parents to their child.

This title will seem quite similar to the many others about parents’ deep love for their children. The text is wholly composed of first-person declarations of parental love, and it’s juxtaposed with illustrations of the child with one or both parents. It’s not always clear who the “I” speaking is, and there are a few pages that instead use “we.” Most sentences begin with “I love you more” phrasing to communicate that nothing could undermine parental love: “I love you more than all the sleepless nights…and all the early, tired mornings.” The accompanying pictures depict the child as a baby with weary parents. Later spreads show the child growing up, and the phrasing shifts away from the challenges of parenting to its joys and to attempts to quantify love: “I love you more than all the blades of grass at the park…and all the soccer that we played.” Throughout, Bell’s illustrations use pastel tones and soft visual texture to depict cozy, wholesome scenes that are largely redundant of the straightforward, warm text. They feature a brown-haired family with a mother, father, and child, who all appear to be white (though the father has skin that’s a shade darker than the others’).

It’s nothing new, but it’s also clearly heartfelt. (Picture book. 2-4)

Pub Date: Aug. 14, 2018

ISBN: 978-1-4998-0652-6

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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