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THE YELLOW-LIGHTED BOOKSHOP

A MEMOIR, A HISTORY

A leisurely stroll with a knowledgeable but unpretentious companion through some very interesting aisles.

A proud and unrepentant biblio-addict explains how he got that way—and how books and bookstores have evolved, as well.

Reading this gentle memoir/history is itself a bit like browsing in a friendly bookshop. Buzbee, who began his long tenure in the book business as a teenaged clerk at a now-defunct shop called the Upstart Crow, and who has subsequently published fiction (Fliegelman’s Desire, 1990, not reviewed), is an amiable guide. The author came from a family with only mild interest in books (Reader’s Digest Condensed Books lined some of the shelves), and it was not until he read The Grapes of Wrath in high school that his addiction began. The early pages are principally memoir, but about halfway through, Buzbee begins to interweave lengthy sections on the history of books and bookselling. He rehearses the story of the great library at Alexandria, the invention and modifications of the printing press, the rise of the bookshop and its frequent neighbor, the coffeehouse. (We learn that books used to be displayed horizontally, not vertically, on shelves.) The author teaches us, as well, about the emergence of the superstore (both B. Dalton and Waldenbooks arrived in 1969), the meaning of the ISBN, the importance of used-book dealers, the rise of online bookselling. He acknowledges that Amazon, et al., have wounded the bricks-and-mortar stores, but he does not foresee a time when there are no traditional shops. Nor does he think e-books or print-on-demand texts will ever replace the familiar paperback. Buzbee offers a strong chapter in praise of free-speech-loving booksellers, with special attention to the Salman Rushdie case and the publication of Ulysses. He fires some shots at the Patriot Act and takes us on a tour of his favorite shops, among them Square Books in Oxford, Miss., and City Lights in San Francisco.

A leisurely stroll with a knowledgeable but unpretentious companion through some very interesting aisles.

Pub Date: June 1, 2006

ISBN: 1-55597-450-3

Page Count: 228

Publisher: Graywolf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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