Devotees of the Alice books will be transported to Wonderland with this fine first taste of key characters in Carroll’s...
They’re all here…Alice, the White Rabbit, the Cheshire Cat, the Caterpillar (sans hookah), the Mad Hatter, The Queen of Hearts, even the sleepy dormouse!
This board book abecedary brings together characters based on Carroll’s famous story along with Tenniel’s classic illustrations, here reproduced in bright colors, giving preschoolers an interesting new twist on the alphabet. Each uppercase letter is paired with a corresponding word and an illustration, mostly one per page. Many of the illustrations may be familiar to Alice enthusiasts; supplemental pictures and decorative motifs in Tenniel’s style are used to fill in the gaps in the alphabet. For “I is for Invitation,” a note on pink paper, decorated with roses and a large, crowned heart, reads “Please come to tea, from Mad Hatter.” Some letters stretch harder than others. “V is for Vanish” shows a picture of a fading Cheshire Cat in a tree, which will be quite opaque to most board-book readers. Publishing simultaneously, White Rabbit: A Counting Book takes readers from one to 10, including two tasty treats for Alice to try, five grins from the Cheshire Cat, and eight flamingos for a game of croquet. Toddlers and preschoolers may not really understand these two introductions to Alice’s Adventures in Wonderland, but older Alice fans will be delighted to share their enthusiasm for Carroll’s classics through these novelty board books.
Devotees of the Alice books will be transported to Wonderland with this fine first taste of key characters in Carroll’s iconic stories. (Board book. 3-5)Pub Date: Sept. 1, 2017
ISBN: 978-1-5098-2054-2
Page Count: 24
Publisher: Macmillan Children's Books
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Jan. 1, 2018
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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