A welcome, greatly expanded third edition of Gardner’s beloved critical edition of Carroll’s Victorian fairy tales. One of the longest ongoing love affairs in literature has to be that between Gardner, a prolific, popular writer on math and science, and Carroll’s ostensible children’s tales, Alice’s Adventures in Wonderland and Through the Looking Glass. With a dedication rare even among scholars, Gardner has tracked down origins and meanings of the wordplay and mathematical puzzles the sly Carroll embedded in his texts. He has also researched Charles Dodgson’s life and illuminated the two stories— sly parody of high Victorian culture. This new volume combines the notes from The Annotated Alice (1960) and More Annotated Alice (1990) with Gardner’s latest discoveries, offering both ardent fans of Carroll’s work and newcomers a chance to read the texts in the light of Gardner’s labors. The result is rather like sitting in on the creation of a work of art; the manner in which the shy mathematician and tutor Dodgson poured everything that fascinated him (children’s games, chess, mathematical riddles and logic, an amused view of Victorian literature and society) into the work by his alter ego Carroll is illuminated through Gardner’s lucid and copious notes. They run in a narrow (and surprisingly unobtrusive) column accompanying Carroll’s text on each page, turning the book into a fluid mix of Carroll and Gardner. The illustrations, by John Tenniel, also provide fertile ground for Gardner’s commentary. The notes are so clear, enthusiastic, and helpful that it is now hard to imagine Carroll without Gardner. A unique collaboration has produced, for once, a book that lives up to its name. As close to a definitive take on a classic work as anyone is likely to come.
Pub Date: Nov. 15, 1999
ISBN: 0-393-04847-0
Page Count: 384
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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