by Lewis Trondheim ; illustrated by Lewis Trondheim ‧ RELEASE DATE: Oct. 5, 2021
Worthy of buzz.
A French cartoonist chronicles ups and downs in the life of a fly with clown shoes.
The shoes are only the beginning, as the fly, hatching from a tiny egg (and skipping the larval stage) also sports outsized teeth and a fixed look of wide-eyed, goofy enthusiasm that makes its subsequent adventures all the more comical. In profuse arrays of small, wordless, cinematic panels, nine to a page and all in black and white, Trondheim zeroes in on a kitchen garbage can from which the eager insect, after a false start or two, buzzes off for encounters happy or otherwise with: a window, a decidedly unfriendly spider, a pepper shaker, a cat box, and other joys and hazards of the inside world. Events then take a surreal (not to say cosmic) turn, as the fly grows in spurts to monster size, terrifies a city, flits into intergalactic space—and suddenly finds itself back in the kitchen, fly-sized again and primed for further misadventures. If the last few pages hurtle past like sketchy afterthoughts, this introduction to an insect innocent—who has been entertaining audiences overseas and online since 1995 both in comics form and in a long series of short films—will beguile young readers on this side of the Atlantic as well.
Worthy of buzz. (Graphic fiction. 5-10)Pub Date: Oct. 5, 2021
ISBN: 978-1-5458-0708-8
Page Count: 112
Publisher: Papercutz
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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75
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi ‧ RELEASE DATE: Dec. 26, 2017
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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