Quarantine this pointless book
The story of a supporting character from the first novel in the Quarantine series adds a fourth book to the trilogy.
Gonzalo (whose ambiguous racial markers might read as Latino) was the muscle for the Loners clique, leaving it only to return to the infected zone for his girlfriend, Sasha. The bulk of the novel uses a rigid alternating-chapter structure that switches between his search in the present and his experiences during the events of The Loners (2012). The past storyline reveals that, before a three-month growth spurt turned Gonzalo into a hulk, he was small enough that he fell in with a secret clique, the Mice, who stole from the others. Besides that, it effectively retreads the previous book, treating a barely seen romance based on physical attraction like an epic love. In the present, Gonzalo’s struggles to find Sasha force him to team up with a treacherous old enemy, who frequently calls Gonzalo dumb (the text supports the antagonist’s interpretation of Gonzalo’s intelligence). The tensionless wild goose chase is marked by gross-out gore in lieu of suspense, which matches the faux-edgy tone evoked by a fetishization of nonconsensual sexuality (which receives just as much attention as the lovers’ relationship). Only one twist near the end works, and only then because the worldbuilding is so sketchy.
Quarantine this pointless book . (Science fiction. 16-18)Pub Date: Sept. 1, 2016
ISBN: 978-1-5124-0103-5
Page Count: 352
Publisher: Carolrhoda Lab
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An unflinching portrayal of the devastating effects of domestic violence.
After a horrific domestic violence incident, Zoey Ward and her family finally find their footing in Las Vegas only to have their lives overturned by a house fire.
Learning that her father has been recently released from prison, Zoey suspects he had something to do with the blaze. After their lives go up in flames, literally, Zoey along with her mom and her younger siblings, Kate and Cole, flee Las Vegas with the help of her older brother, Will, and his best friend, Tristan. They take refuge in California, where Tristan and his sister welcome them into a world where things seem hopeful and more stable than anything they have ever known. Yet the fear of being hunted down by her father consumes Zoey. The story is narrated from Zoey’s and Tristan’s first-person perspectives, and Gray (Run Away With Me, 2017, etc.) has masterfully captured the uncertainty and terror that come from domestic violence. Tristan and Zoey share a budding romance in which Zoey slowly but surely learns to love and be loved in a nondestructive, healthy way despite her fears and reservations. With everything she has been through, Zoey is the underdog readers will find themselves rooting for. Gray spares no detail in this intense tale. All characters are assumed to be white; Tristan is dyslexic, and there are several queer characters.
An unflinching portrayal of the devastating effects of domestic violence. (Fiction. 16-adult)Pub Date: Dec. 3, 2019
ISBN: 978-1-5344-4281-8
Page Count: 352
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Sept. 9, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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