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MORE THAN ANGER

An emotionally layered, deeply affecting work accessible to reluctant readers.

The misery of Anna’s home life is a secret weighing heavily on her shoulders.

Only child Anna feels caught between parents whose personal cold war regularly erupts in outright, vocal hostility. Once upon a time they had a happy household, enjoying vacations together and silly laughter over meals. Now her kindergarten teacher mother is unemployed and her epidemiologist father works long hours. The Atlanta teen, who aspires to become a globe-trotting journalist, tiptoes around on eggshells. The tension at home interferes with her schoolwork, resulting in angry lectures from her father and disappointment in herself. Her mother drinks too much and expresses her anger by aggressively cleaning the house. Anna has a budding romance with classmate Dave and a close relationship with her best friend, Jess, but as her home life becomes increasingly unpredictable, her shame over hiding the truth about her life increases. Debut author Bruce’s novel in verse exquisitely captures the emotional pain of a girl who desperately wants to enjoy school dances, take pride in her academic work, and connect with parents who are too preoccupied with their own conflict to see the suffering they’re causing her. Anna’s direct, vulnerable first-person narration will draw in readers as she attempts to navigate stressful situations on her own. All characters seem to be white.

An emotionally layered, deeply affecting work accessible to reluctant readers. (Verse novel. 13-18)

Pub Date: Dec. 1, 2019

ISBN: 978-1-5383-8264-6

Page Count: 200

Publisher: West 44 Books

Review Posted Online: Oct. 24, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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