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PERCEPTION

An engaging tale with plenty of genre intrigue to satisfy SF fans.

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This mind-bending SF novel combines mysticism with thrills.

In the opening pages, Minda Blake, a psychic known as a “remote viewer” for a black ops government contractor, uses her ability to dig up a mysterious gold artifact in the deeply religious Dutch Reformed part of Michigan. Almost immediately afterward, she passes out, later realizing that a colleague wanted the fragment and tried to kill her. After recovering, she resolves to find the golden object and take it to the media, even if her employer will hunt her down and, in the best-case scenario, have her institutionalized. Her quest to recover the artifact leads her to small-town chef Garritt Vanderhoeven, who has his own special abilities following a plane crash and miraculous recovery in the rainforest of Peru. Since the accident, he has seen “flashing, twinkling, golden sparks,” which guide his way, including circling around Minda like “fireflies all around her dark wavy hair” when they meet. Their paths further intersect when Juan Talamantes, a worker at Garritt’s restaurant, is arrested by people claiming to be cops who believe he knows a man who discovered a piece from a UFO. These different narratives collide as Downey offers revelations about the golden artifact and the true history of Earth’s people. The plot intensifies as more is disclosed about Garritt’s family and his break with his religious upbringing. In the middle third of the novel, some of the plot momentum stalls when the tale starts following the interior lives of the expanding cast of characters. The backstory of the black ops government contractor and extended sequences in which Minda learns about the heightened powers provided by the golden artifact occasionally grind the tale to a halt. Despite this, there are enough twists, cliffhanger chapter endings, and rich details about the Dutch Reformed community to set this gripping book apart from similar SF novels.

An engaging tale with plenty of genre intrigue to satisfy SF fans.

Pub Date: July 6, 2024

ISBN: 9781953474087

Page Count: 390

Publisher: N/A

Review Posted Online: June 13, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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